Merrion Road

Taxonomy

Code

Scope note(s)

Source note(s)

Display note(s)

Hierarchical terms

Merrion Road

Equivalent terms

Merrion Road

Associated terms

Merrion Road

5 Name results for Merrion Road

3 results directly related Exclude narrower terms

O'Brien, Vincent A, b 1921, former Jesuit scholastic

  • IE IJA ADMN/7/182
  • Person

Born: 02 September 1921, Marlborough Street, Derry, County Derry
Entered: 07 September 1940, St Mary's, Emo, County Laois

Left Society of Jesus: 27 February 1948

Father, Joseph, was the Cathedral Organist and Professor of Music at the Diocesan College Derry, and then became the Director of The Municipal School of Music, Chatham Row, Dublin, and organist at St Francis Xavier’s Church, Gardiner Street. Mother was May (Byrne)Family moved in 1930 to Merrion Road, Dublin.

Second eldest of seven boys and two girls.

Early education was at various schools and then at Belvedere College SJ for six years

Baptised at St Eugene’s Cathedral, Derry 03/09/1921
Confirmed at Church of the Assumption, Booterstown by Dr Byrne of Dublin, 22/03/1932

1940-1942: St Mary's, Emo, Novitiate
1942-1945: Rathfarnham Castle, Juniorate, UCD
1945-1948: St Stanislaus College, Tullabeg, Philosophy

Address 2000: Newlands Crescent, Portstewart, County Derry

?????

https://rip.ie/death-notice/dr-vincent-obrien-derry-portstewart-160420

O'Brien, Louis J, b 1924, former Jesuit novice

  • IE IJA ADMN/20/178
  • Person
  • 21 May 1924-

Born: 21 May 1924, Marlborough Street, Derry, County Derry
Entered: 28 September 1943, St Mary's, Emo, County Laois

Left Society of Jesus: 11 September 1945

“Louie”

Father was Director of the Municipal School of Music in Dublin and family resided at Merrion Road, Dublin.

Fourth of seven boys with two sisters.

Early education at Derry and Dublin Convent schools he then went to the Christian Brothers school in Westland Row, and then to Belvedere College SJ for six years.

LEFT 16 October 1943; Re-entered; LEFT again 11 September 1945

Gallagher, Thomas, b.1921-, former Jesuit novice

  • IE IJA ADMN/20/80
  • Person
  • 11 January 1921-

Born: 11 January 1921, Merrion, Dublin City, County Dublin
Entered: 07 September 1939, St Mary's, Emo, County Laois

Left Society of Jesus: 1939

Browne, Francis M, 1880-1960, Jesuit priest, photographer and chaplain

  • IE IJA J/7
  • Person
  • 1880-1960

Born: 03 January 1880, Sunday's Well, Cork City
Entered: 07 September 1897, St Stanislaus College, Tullabeg, County Offaly
Ordained: 31 July 1915, Milltown Park, Dublin
Final Vows: 02 February 1921, Belvedere College SJ, Dublin
Died: 07 July 1960, St John of God’s Hospital, Stillorgan, Dublin

Part of the Milltown Park, Dublin community at the time of death

Father RIP 1898 - a Miller. Mother died eight days after his birth in 1880. Youngest of three brothers (1 deceased) and 3 sisters.

Education was at a Convent School in Athlone and then at Belvedere College SJ,then CBC Cork., and Castleknock College

by 1902 at Chieri Italy (TAUR) studying
by 1917 Military Chaplain : 1st Battalion Irish Guards, BEF France

◆ Royal Irish Academy : Dictionary of Irish Biography, Cambridge University Press online :
Browne, Francis Patrick Mary
by James Quinn

Browne, Francis Patrick Mary (1880–1960), photographer and Jesuit priest, was born 3 January 1880 in Sunday's Well, Cork, youngest of eight children of James Browne, flour merchant and JP, and Brigid Browne (née Hegarty; 1840–80), who died of puerperal fever eight days after Francis's birth. The family was well-off and owned a large house at Buxton Hill; Brigid's father, James Hegarty, was a wealthy tanner and a JP, and served as lord mayor of Cork. Francis attended the Bower convent, Athlone (1885–92), the Christian Brothers' college, St Patrick's Place, Cork (1892), the Jesuit college at Belvedere, Dublin (1893), and the Vicentian college at Castleknock (1893–7). He excelled in the classics and modern languages, enjoyed sports, and played on the Castleknock first rugby XV. On leaving Castleknock he made a tour of Europe with his brother William (1876–1938) (also a priest and photographer), and took many photographs, which even at this stage showed considerable talent. On his return in September 1897 he joined the Jesuits, and served his noviceship at Tullabeg, King's Co. (Offaly). After his father drowned while swimming at Crosshaven (2 September 1898), his education was overseen by his uncle, Robert Browne (qv), president of Maynooth College and bishop of Cloyne (1894–1935). Francis took his first vows 8 September 1899, and studied classics at the Royal University at St Stephen's Green, Dublin, graduating with an honours BA (1902). At university he was a contemporary of James Joyce (qv), and ‘Mr Browne, the Jesuit’ makes an appearance in Finnegans wake. He studied philosophy (1902–5) at Chieri, near Turin, travelling throughout Italy during the summer holidays and studying Italian painting. Returning to Ireland in 1905, he taught at Belvedere (1905–11), where he founded a cycling club, a camera club, and the college annual, The Belvederian, which featured many of his photographs.

In April 1912 he sailed on the first leg of the Titantic's maiden voyage (10–11 April) from Southampton to Queenstown (Cobh) via Cherbourg. Friends offered to pay for him to complete the trip to New York, but the Jesuit provincial in Dublin refused him permission. He took about eighty photographs on the voyage, including the last one of the Titanic's captain, Edward Smith, and the only one ever taken in the ship's Marconi room. The Titantic's sinking catapulted his work to international attention, his photographs appearing on the front pages of newspapers around the world. His name forever became associated with the Titanic and he assiduously collected material relating to the disaster, which he used to give public lectures.

He studied theology (1911–15) at Milltown Park, Dublin, and was ordained 31 July 1915. Early in 1916 he became a military chaplain in the 1st Battalion, Irish Guards, with the rank of captain. Present at the Somme and Ypres (including Passchendaele), he showed great courage under fire, tending the wounded in no man's land and guiding stretcher parties to wounded men. He himself was wounded five times and gassed once, and won the MC and bar and the Croix de Guerre. His commanding officer, the future Earl Alexander, who became a lifelong friend, described him as ‘the bravest man I ever met’ (O'Donnell, Life, 46). During the war he took many photographs, now held in the Irish Guards headquarters in London. He returned to Ireland late in 1919, completed his tertianship (July 1920), and was again assigned to Belvedere. On 31 October 1920 he cycled to the viceregal lodge to make a personal appeal for the life of Kevin Barry (qv), an Old Belvederean.

He took his final vows (2 February 1921) and was appointed supervisor of St Francis Xavier's church, Gardiner St. (1921–8). Because of the damage done to his lungs by gassing during the war, he spent the years 1924–5 in Australia, making a 3,000-mile trip through the outback, where he took many memorable photographs. By now he and his camera were inseparable and he used it widely on his return trip through Ceylon, Yemen, Egypt, and Italy. Returning to Dublin in late 1925 he resumed his position at Gardiner St. and began regularly to photograph inner-city Dublin life, taking about 5,000 photographs of Dublin over thirty years. In 1926 he took flying lessons and took many aerial photographs of Dublin. He became an important member of the Photographic Society of Ireland and the Dublin Camera Club and was vice-president and a key organiser of a highly successful international exhibition of photography (the First Irish Salon of Photography) during Dublin's ‘civic week’ in 1927; further exhibitions were held biennially until 1939. Appointed to the Jesuits' mission and retreat staff, he was based at Clongowes Wood, Co. Kildare (1928–30), and Emo Court, Co. Laois (1930–57).

Many of these were of the great cathedrals of England, which had a particular fascination for him. With war looming, in 1937–8 he was commissioned by the Church of England to photograph the churches of East Anglia to enable their accurate restoration should they suffer bomb damage. In 1939 his offer to serve as chaplain to the Irish Guards was accepted, but he was refused permission from the Irish Jesuit provincial.

Travelling throughout Britain and Ireland, he continued to photograph and assiduously to practise the technical aspects of photography and build up an impressive array of photographic equipment, including his own developing laboratory at Emo. Most experts believe that his talent matured fully in the 1930s. Given a Kodak 16mm cine-camera by his uncle Robert, he shot a film of the eucharistic congress in Dublin in 1932, and made several subsequent films for state and educational bodies. In 1933 he visited the Kodak works at Harrow, north-west of London, and afterwards received a supply of free film for life and regularly contributed articles and photographs to the Kodak Magazine.

In the 1940s and ‘50s he photographed almost every aspect of Irish life – pilgrimages, ruined monasteries, great houses, and leading religious, political, and literary figures – and his photographs featured regularly in Irish publications. Much of his work dealt with new industries and technology, especially his fascination with transport: aircraft, shipping, and trains. A booklet issued by the Department of Health on the ‘mother and child’ scheme in 1951 was illustrated with his photographs. All his earnings from photography (c.£1,000, 1937–54) were forwarded to the Jesuit provincial treasurer and used for the education of Jesuit students.

As his health faded, he resided at Milltown Park from 1957, and many of his photographs from the late 1950s recorded the themes of old age and death. He died in Dublin 7 July 1960, and was buried in the Jesuit plot in Glasnevin cemetery, Dublin.

He took an estimated 42,000 photographs throughout his life, but his fame as a photographer was largely posthumous: most of his work lay unnoticed in a trunk in the Jesuit archives until 1986. His photographs were neatly captioned and dated but were mostly on deteriorating nitrate film, and a major restoration effort was required to transfer them to safe film. Photographic experts were astounded at the quality of the work, generally considering it the outstanding photographic collection of twentieth-century Ireland. Fr Browne had all the attributes of a great photographer: a natural eye for line and balance in composition (a talent developed by his study of Italian art) and an ability to anticipate the decisive moment. In photographing people his lens was never intrusive or exploitative, and his sympathy with his subject is always evident. Scenes involving children, in particular, are captured with a natural ease and dignity. He has been described as ‘one of the great photographic talents’ (O'Donnell, Life, 123) of the twentieth century, and compared favourably with the great French photographer Henri Cartier-Bresson. Since 1986 his work has been regularly exhibited, published in various collections compiled by E. E. O'Donnell, SJ, and featured in television documentaries.

Rudyard Kipling, The Irish Guards in the great war (2 vols, 1923), i, 136, 141, 145–6, 170, 182; ii, 173; Ir. Times, 18 Nov. 1989; E. E. O'Donnell, SJ, ‘Photographer extraordinary: the life and work of Father Browne’, Studies, lxxix (1990), 298–306; id., Father Browne's Dublin (1993); id., Father Browne: a life in pictures (1994); id., Father Browne's Titanic album (1997)

◆ Jesuits in Ireland : https://www.jesuit.ie/who-are-the-jesuits/inspirational-jesuits/francis-browne/

Francis Browne
Few can claim to have seen as much in their life as Francis Browne, sailing on the Titanic, serving in World War I, travelling the world. Not only did he live it but, as an amateur photographer, he also recorded his life and experiences, allowing us today immeasurable insight into that period in our history.
Born in Cork in 1880, Francis Browne was the youngest of eight children. His mother died of puerperal fever not long after his birth and his father died in a swimming accident when he was nine, so Browne was taken care of by his uncle, Robert Browne. After finishing school in Dublin in 1897, Browne went on a grand tour of Europe, seeing France and Italy. For his travels, his uncle bought him his first camera as a present, and this began Browne’s lifelong interest in photography.
Upon returning to Ireland, Browne entered the Jesuit noviciate in Tullabeg. He studied at the Royal University of Ireland in Dublin, where he was classmates with James Joyce. In 1911 he began studying theology in Milltown. The following year, his uncle gave him a ticket aboard the newly built ship Titanic, to sail from Southampton to Queenstown, now Cobh. Browne brought his camera, as was his hobby, and took many pictures. When he arrived in Queenstown he would have continued on the crossing to America, but was told in no uncertain terms by his superior to return to Dublin. When word arrived days later of the sinking of the Titanic, Browne realised how valuable his photographs were and sold them to various newspapers leading to the publication all over the world.
Browne was ordained in 1915, and the following year was sent to Europe where he served as chaplain to the Irish Guards. During his time in the service, Browne was at the Battle of the Somme, at Flanders, Ypres, and many other places at the frontline of the war. He was wounded on five occasions, and was awarded a military cross and bar for valour in combat. During this time too he took photographs, recording life at the frontline.
Returning to Dublin in 1920, Browne experienced recurring ill health from his time in the war, and was sent to Australia in 1924. Never parting from his camera, he took countless photos of the places he saw on his way over, as well as in Australia. After returning, he was appointed to the Retreats and Mission staff, and travelled all across Ireland. By the time of his death in 1960, Browne had taken photographs in nearly every parish in Ireland. When his negatives were discovered, twenty five years later, there were in the order of 42,000 of them. Twenty three volumes of his work have now been published and the importance of his work has been recognised internationally.

https://www.jesuit.ie/blog/damien-burke/the-last-parting-jesuits-and-armistice/

The last parting: Jesuits and Armistice
At the end of the First World War, Irish Jesuits serving as chaplains had to deal with two main issues: their demobilisation and influenza. Some chaplains asked immediately to be demobbed back to Ireland; others wanted to continue as chaplains. Of the thirty-two Jesuits chaplains in the war, five had died, while sixteen were still serving.
Writing on 13 November 1918, Fr Frank Browne SJ describes the day of the Armistice:
Isn’t it grand to think that the end has come & come so well for our side: please God it will come for us at home soon, & equally well. Here all is excitement and rejoicing. I happened to be in Dieppe at the fateful 11 o’clock Monday last. I was at the Ordnance store outside which is a great railway siding... Eleven o’ clock was signaled by every engine furiously blowing its whistle. Then nearly all of them proceeded to career up & down the hacks – still whistling. On several of them men sat astride the boilers waving flats & ringing bells. This lasted for 20 mins. On the other side of the quarry Co. of Engineers burst a charge displacing several tons of rock, & then fired Verey lights & flares. But all this was nothing compared with the French outburst in the town. As I drove into the town our car was pelted with confetti by girls, all of whom were gay with tricolor ribbons. The Belgian emigres organised a march through the town with their military band and all the soldiers & Officers present. The bugles were blowing as they entered the main street, which was crowded with rejoicing people. Suddenly, the bugles stopped, & the Band struck up the Marseillaise. For a moment there was a kind of silence, then with a roar, the whole crowd of people took it up. Woman appeared at every window waving flags, & singing: assistants rushed to the doors of shops & joined in the great chorus: children shouted & sang & wriggled through the crowd. It was one of the most inspiring spontaneous demonstrations it has ever been my fortune to witness.

◆ Irish Province News
Irish Province News 7th Year No 4 1932

China :

The Seminary Aberdeen :
The Seminary is now in full working order. We have all the ordinary exercises of our houses of studies circles, tones, etc. The students take kindly to the tones and are frank in their criticisms. A variant of the ordinary tones is a sermonette on the Life of Our Lord, We are using the Epidioscope and the beautiful slides which Father Frank Browne so kindly sent us. Thus a more vivid picture of the Gospel scenes is impressed on their minds. They have also given lectures to the village-folk with a Synoscope which Father Bourke brought out.

◆ Irish Province News

Irish Province News 35th Year No 4 1960

Obituary :

Fr Francis M Browne (1880-1960)

The song has it that “old soldiers never die, they only fade away”. Fr. Frank Browne was an old soldier who never said die. He just faded away for a few months until the King whom he served so long and so faithfully called him to the eternal colours on 7th July, 1960, in the 81st year of his life.
Francis Mary Hegarty Browne was born in Cork on 3rd January, 1880. He claimed two Alma Maters - Belvedere and Castleknock - and never lost his affection for both. There must have been militarism in his blood, and the instinct for noble deeds and daring exploits. He went the Ignatian way, entering the noviceship at Tullabeg in 1897. At the completion of his noviceship he was one of a group of brilliant scholastics studying for the Royal - Edmund Power, Patrick Gannon, Austin Hartigan and others. In after years he sometimes mentioned his ability to equal and even surpass in classical lore some of these literary geniuses. After three years philosophy in Chieri, Northern Italy, he spent seven years teaching in Belvedere and Clongowes - mostly in Belvedere. During this period Mr. Browne was the life and soul of Belvedere. The college was small in those days, numbering about 250 boys. There he endeared himself to many who in later years reached the top of their professions. It was there, too, that he became wedded to his camera. While doing full teaching he had cycling club, camera club and every kind of outdoor activity except games.
At the conclusion of this long period of colleges came theology at Milltown Park and Ordination in July 1915 at the hands of his uncle, Most Rev. Robert Browne, Bishop of Cloyne. During his theologate he rarely missed opportunities of long treks over the mountains. It was all a preparation for his duties as military chaplain. World War I broke out in 1914 and in 1916 Fr. Browne became chaplain to the Irish Guards in France and Flanders. He was wounded several times, returning home to hospital with severe shrapnel injuries to his jaw, On his return again to the front he served in the same Irish Division as Fr. Willie Doyle, and was close to Fr. Doyle until the latter was killed in August 1917. From then onwards until the war ended in 1918 Fr. Browne was with the Irish Guards and received several distinctions. As well as frequently being mentioned in despatches he was awarded the Military Cross and the Belgian Croix de Guerre.
Tertianship was in Tullabeg, 1919-1920, and then Belvedere College for two years. A visitation of the Irish Province took place just then and two appointments made by the Fr. Visitor - Fr. W. Power, U.S.A. were Fr. John Fahy as Provincial and Fr. Browne as Superior of St. Francis Xavier's, Gardiner Street. Both were, in a sense, as a bolt from the blue. The advent of a young priest as Superior of Gardiner Street - especially one so dynamic as Fr. Browne-was quite unusual. He was the youngest member of the community. The quiet hum of church work became a loud buzz during his six years as Superior. He was a great churchman. As well as a very eloquent preacher, he was devoted to the confessional, Moreover he was a man of great taste and made many improvements in administration. But he worked himself to a standstill and had to go on a long rest. The long rest was a trip to Australia. It provided Fr. Frank with plenty of shots for his camera and matter for many illustrated lectures in which he was a specialist.
From 1928 until a few years before his death Fr, Browne was on the Mission Staff of the Irish Province. He was stationed in St. Mary's, Emo from the time it opened in 1931. This life gave him ample scope for his unbounded energy. He loved his rest periods in Emo and his camera provided a helpful and lucrative relaxation. His photographs of places of historic interest in every part of Ireland were eagerly sought after by papers like the Irish Tatler and Sketch. In his scholastic days he had made a reputation for himself as Editor of The Belvederian. Anyone who scans the volumes of that magazine will find some wonderful photographs. It was while there he accepted the invitation to go on the first leg of the maiden voyage of the famous Titanic, later sunk by an iceberg in the Atlantic. Fr. Frank's photos of the inside of this luxury liner were about the only ones extant.
It is hardly to be expected that younger members of any religious order could have a correct view of older members, seen and known only in their decline. It is for that reason possibly that these obituary notices appear. It is only fair that a man's life should be seen in its entirety, God does not look at the last decade of a man's life, or indeed at any one decade. God views the whole span, and so should we. Else we miss much that we ought to know for our encouragement. The Society has its menologies, and wants the lives of Jesuits to be known by succeeding generations. For this purpose the menology is read every day. In this rapid and complex world our dead are too soon forgotten. The Irish Province has had many devoted sons to whose favours we of today owe much.
What were the outstanding qualities of Fr. Frank Browne? They are here outlined in order of priority as the writer sees them after forty, if not more nearly fifty, years of acquaintance.
He was a most priestly man. To see Fr. Frank at the altar was most impressive. There was no sign of slovenliness, speed, distraction. From his ordination till his death he put the Mass first. This had one rather amusing aspect. The pair of shoes in which he was ordained he preserved to the end, and only wore them at the altar. They were known to his colleagues as “The Melchisedeck Shoes”. This, in itself, shows his anxiety to preserve the fervour of his early priesthood. There was always a dignity about Fr. Browne whenever he functioned in the church, A man of fine physique and carriage, he looked magnificent in priestly vestments. But there was no shadow of affectation, no over-exaggeration. It was simple, honest and devout.
This priestliness he carried into the pulpit. He was never cheap, witty, frivolous. His preaching was always impressive, his words well chosen, his examples apt. He had a very friendly and sympathetic approach to his congregation. His confessional was always crowded and never hurried. There was the kindly word for everyone. With the secular clergy he was extremely popular, yet always reserved and dignified. It is the truth that he never forgot he was a priest and a Jesuit. He might at times be demanding, but always in a pleasant way,
He was a brave man-brave in every sense of the word. As chaplain he was rewarded for his courage under fire. The soldiers admired him and the officers revered him because of his calmness under fire. An Irish Guardsman, still alive, wrote of Fr, Browne :
“We were in a church somewhere in Belgium and Fr. Browne was in the pulpit. Shells began to fall all around. We began to look around and up at the roof already with many holes in it. Fr. Browne thundered out : ‘What's wrong? Why don't you listen? Which are you more afraid of - God or the Germans?”
In the home front, when he was in Belvedere College, 1920-1922, many a time when the crash of a bomb, thrown at British lorries passing down North Frederick Street, was heard, Fr. Browne was down to the scene at once to minister to any injured. People scattered in all directions, but he remained firm. In October 1920, because he considered it his duty, he made a personal appeal to the military authorities on behalf of Kevin Barry.
He feared no man and feared no man's views. He never gave in an inch on a matter of principle even to the point of being irascible. One can imagine the influence he excited on non-Catholics in the British Army, A high-ranking officer, later a Field Marshal and a Viscount, had the greatest veneration for Fr. Browne and always wore a medal of Our Lady that Fr. Frank gave him.

◆ James B Stephenson SJ Menologies 1973

Father Francis (Frank) Browne 1880-1960
Fr Francis Browne was a colourful character, full of life and go. He was famous as a Chaplain in the First World War, being decorated many times for gallantry under fire. A soldier wrote of him “We were in Church somewhere in Belgium, and Fr Browne was in the pulpit. Shells began to fall all around. We began to look around and up at the roof which already had many holes in it. R Browne thundered out “What’s wrong? Why don't you listen to me? Which are you more afraid of, God or the Germans?”
Through the good offices of his uncle the Bishop of Cloyne, Fr Frank travelled in the Titanic, on her voyage from Belfast to Cork, where luckily he disembarked. Being an excellent photographer, he had taken snaps of the interior of that famous ship, which are the onl;y ones extant to this day.
As a chaplain he was equally popular with Catholic and Protestant, and counted among his friends the then Prince of Wales, later Edward VII and later again Duke of Windsor. A high ranking Officer, a Field-Marshall and later a Viscount had the greatest veneration for him, and always carried a medal of Our Lady round his neck, which he had received from Fr Frank.
His outstanding devotion was to the Holy Mass. The pair of boots in which he was ordained he kept apart to the end, and in no others did he ever celebrate Mass.
During his period as Superior of Gardiner Street he was responsible for many improvements in the Church, mainly the fine porch and new system of lighting.
The latter part of his life he spent as a most zealous and successful missioner
He died on July 7th 1960.

◆ The Belvederian, Dublin, 2002

Farewell Companions : Dermot S Harte

Fr Francis Patrick Mary Browne SJ

If Fr J M O'Connor SJ had a rival for the “Mr. Belvedere” title, it might probably be Fr Frank Browne SJ - another distinguished Alumnus.

Frank was a good friend of mine. I cannot honestly remember where I first met him for he was the sort of person who seemed to have been around forever. He was so unique that everyone who met him felt that they had always known him. From his adventures aboard the “Titanic” and from his days in the hell of the trenches of World War I, when he was a Chaplain in the Irish Guards, he probably became Ireland's most prolific photographer. He was likely to turn up absolutely anytime, anywhere and very often in the strangest of places! I once encountered him on the footplate of a newly acquired locomotive (”The Maeve”) on the Dublin-Cork run covered from head to toe in coal-dust and sundry grime, having made the total journey in company with the driver and fireman and, no doubt, the inevitable camera!

The story of Frank Browne and the 'Titanic' is legendary. He travelled Southampton-Cherbourg-Queenstown (now Cobh) on the vessel during which time he and his camera did noble work! Not too surprisingly, he was prevailed upon to remain on board for the trip to New York. After all the unsinkable! Titanic was the newest and finest ship ever to sail the seven seas! Who wouldn't give their eye teeth for such a once-in-a-lifetime trip? He radioed his Provincial for permission and hoped for the best! The Provincial's return telegram contained five words: “Get off that ship! Provincial”. So an unhappy Frank remained on land whereas the “Titanic” never reached its destination but instead sank off Newfoundland taking with it some 1500 souls.

But there is another side to the saga of Fr Browne and the Titanic! My grandparents' home was in Sandymount directly across the road from the Star of the Sea Church. Early in the twentieth century the then PP prevailed upon my grandmother to accommodate the “Missioners” who arrived twice each year to conduct the Women's and the Men's Retreats. This was to be on a “one-off” basis but like so many “one-offs” the arrangement became permanent and scores of missioners were accommodated over the next 50 or so years. My grandparents died in the 1920's and early 30's and a number of my unmarried aunts and uncles remained. In particular, I refer to my Aunt Moya!

Eventually there arrived on the scene none other than Fr Frank Browne SJ. The main bathroom was immediately commandeered by Frank where all sorts of apparatus were set up by him to ensure that his photographic pursuits remained unhindered. 1 stayed in the old homestead in order to serve his Mass each morning.

One fine morning he and I set off for his Mass as two of my uncles were having breakfast in the nether regions to which they had been banished when a strange spreading “something” was observed oozing under the breakfast room door. The basement was flooding! Loud crashes were heard as ceilings fell down and chaos ensued! The dreaded Frank had put the plug in the bath on the third floor, connected the water to his Developing Tank - and taken off for the Church! So the unhindered water flowed down with fearsome results. How the priests were not banished for ever more - together with my Aunt Moya - must be the greatest miracle since Moses struck the rock! It did nothing to pacify my uncles and their wrath fell on the shoulders of my unfortunate aunt.

But it didn't all end there, for Moya composed a little ditty that started “Father Browne, he didn't go down”. After the retreats, and overcome by remorse for her disrespect to a man of God, she decided that she must be in a state of mortal sin and took herself off to confession. She told me that in confessing this dreadful sin she said to the priest, “Father, I had bad thoughts about a Missioner!” I'll bet that made her confessor sit up and take notice as he was a particularly close family friend! The poor man was convulsed with laughter when he discovered the nature of her “sin” and she was sadly disappointed at receiving a penance of only one “Glory Be”! But she immediately gave up smoking to atone for her temporary lapse from grace - as she saw it!

The last time I saw Fr Browne was on the platform at Limerick Junction station as he returned from one of his many adventures having immortalised on film whatever caught his attention at the time. Whenever I pass through this station, in my mind's eye his Great Spirit still stands there as it did a lifetime ago. I never forget to remember, and to offer a prayer of gratitude for his friendship. Fr Browne was called to his Heavenly Home on 7 July 1960 where no doubt he is still taking photographs, this time, I would imagine, in glorious Technicolour!

After his death over forty-two thousand of his negatives were discovered in Loyola House by Fr Eddie O'Donnell SJ. So the Great Frank who didn't go down, didn't go away either! With the aid of sponsorship from Allied Irish Bank all were restored and three of AlB/Ark Life calendars, including this year's, featured his photographs. I was amazed to see a photograph of myself in one of the earlier calendars taken, I believe, sometime during the '40's.

Seventeen volumes of his photographs have been published and exhibitions in the Guinness Hop-Store, throughout the country, and in the Pompidou Centre in Paris have featured his Dublin Photographs. His 'Titanic' photographs have been exhibited in places as far apart as Hiroshima, Seattle, Chicago, Lisbon, Bruges and Budapest.

I have a feeling that, somehow, he will still be around on the Last Day. What marvellous opportunities for really spectacular photography will then present themselves! I'll bet he is ready and waiting for the off - and is already champing at the bit!

◆ The Clongownian, 1918

Clongowes Chaplains

We should have liked to be able to give a series of letters from Army. Chaplains, Past Clongownians, and former members of the Clon gowes Community, describing their professional experiences. We made considerable efforts and received promises not a few. But in the end, all found that their life was too busy and too irregular to make formal composition of that kind possible, and they one and all shrank from the task. Very often, too, no doubt, there was the fear of the Censor in the background. But notwithstanding this we thought it would be of interest to many readers of the “Clongownian” if we pieced together from these letters the scattered fragments of news coll tained in them. And this is what we have done. We begin with Father Corr, who for several years most worthily filled the position of Editor to this Magazine, and to whom is due the magnificent Centenary Number, 1914

Father F M Browne SJ

Father Browne, who was a master here some years ago, but not a Past Clongownian is with the anc Battalion Irish Guards. He has certainly had considerable variety during his time at the front. He was within the salient of Bourloi Wood when it had its neck cut and barely managed to escape On this occasion he got the bar to the MC. Of this experienc he writes : never went
through any thing like it and I wish there had bee another Lady Butler to pair another Roll Call of th 2nd I G after Bourlon Wood It was one of the saddest sights have ever see Imagine a fair dark night, deep sunken road lined with tiny excavations, some of them covered with oil sheets, etc, and in the middle the wreck of our Battalion. I cannot tell you how many we were when we started nor how many when we ended, for it would be a crime against interfering DORA”. Of his bar to the MC he writes:-“The only thing by which I can account for it was my very narrow escape from walking into the German lines during or rather just before Bourlon”.

During his wanderings Father Browne has not been unmindful of the wanderings of St Brendan, the story of which he has told in his illustiated guide to Lough Corrib. He tells us that he came by accident on an early French poem on this subject, with a commentary, in a Flemish farmer's cottage. This, no doubt, will be an interesting and, we hope, valuable addition to his booklet on this subject.

One little tit-bit of information which he gives us shows how great a change the presence of Irish soldiers must make to a French parish from the religious point of view. “We had a great ceremony on Sunday last - 2,500 Irish, soldiers gathered for Mass in the Cathe dral of --- to honour the new Bishop who presided at the Mass. I said Mass, Father W Doyle preached. Several Generals and big people - all impressed with very great solemnity. We had a guard of honour for the Elevation and trumpeters to play the General's Salute from the organ gallery. Father Doyle preached a very eloquent sermon though he was strictly limited to 15 minutes”. What a sight for the poor French Catholics - the old ones amongst them, no doubt, were brought back in memory to the ages of Faith in the fair land of France!

Barrett, Cyril D, 1925-2003, Jesuit priest, art historian, and philosopher

  • IE IJA J/561
  • Person
  • 09 May 1925-30 December 2003

Born: 09 May 1925, Llandaff Hall, Merrion Road, Ballsbridge, Dublin City, County Dublin
Entered: 07 September 1942, St Mary's, Emo, County Laois
Ordained: 31 July 1956, Milltown Park, Dublin
Final Vows: 02 February 1960, St Stanislaus College, Tullabeg, County Offaly
Died: 30 December 2003, Cherryfield Lodge, Dublin

Part of the Milltown Park, Dublin community at the time of death

Older Step brother of John D Barrett - LEFT 1960 and Matthew M Barrett - LEFT 1967

Father was a Commissioner of Police and on retiring was supported by private means.

Two step brothers and a step-sister.

Early education at Ampleforth College for three years and then Clongowes Wood College SJ for two years.

by 1962 at St Ignatius, Tottenham London (ANG) studying
by 1963 at Mount Street, London (ANG) studying
by 1964 at Church of the Assumption, Warwick (ANG) studying
by 1973 at Warwick University (ANG) teaching
by 1993 at Campion Hall, Oxford (BRI) teaching

◆ Royal Irish Academy : Dictionary of Irish Biography, Cambridge University Press online :
Barrett, (Denis) Cyril
by Patrick Maume

Barrett, (Denis) Cyril (1925–2003), Jesuit priest, art critic and historian, and philosopher, was born Denis Barrett in Dublin on 9 May 1925 (Cyril was his name in religion). He was the son of Denis Barrett, the last assistant commissioner of the Dublin Metropolitan Police. His mother died of cancer when he was aged three, and his father subsequently remarried; the two marriages produced four sons and a daughter. Young Denis grew up at the family home in Booterstown, south Co. Dublin; his relationship with his stepmother Evelyn was close and affectionate. The family background was well‐to‐do catholic with some landed gentry elements which might have been described as ‘castle catholic’ but which offered scope for self‐expression, often eccentric; like several of his ancestors, Barrett was noted for charm, eccentricity, and intellectual brilliance.

He was educated at Killashee school in Naas, at Ampleforth College, Yorkshire, and at Clongowes. He joined the Jesuits in 1942, underwent a Thomist training in philosophy at the Jesuit college in Tullabeg, and studied theology at Milltown Park in Dublin. The Jesuits recognised and encouraged his academic vocation, and his career took advantage of the wide latitude allowed to an imaginative Jesuit in pursuance of his vocation. He studied Latin and history at University College Dublin (the latter discipline, as taught by John Marcus O’Sullivan (qv), had a strong philosophical component, and Barrett recalled being introduced to political philosophy by studying Rousseau as being thrown in at the deep end) and graduated with a first class BA in 1947. After a year studying anthropology and the role of myth at the Warburg Institute, Barrett began a peripatetic teaching career, including three years at Clongowes, three years teaching psychology at Tullabeg, and a period at Chantilly (France). He also studied theology at Milltown Park. Barrett was ordained priest in 1956 and took his final Jesuit vows in 1960. He undertook advanced research in philosophy at the University of London, receiving a Ph.D. in 1962 for a dissertation on symbolism in the arts.

In 1965 Barrett was one of two founding members of the philosophy department at the University of Warwick, where he was successively lecturer (1965–7), senior lecturer (1967–72) and reader (1972–92). Shortly after his appointment to Warwick he established his reputation, first by editing a well‐received selection of papers by innovators in the philosophy of art and criticism, Collected papers on aesthetics (1965), then by persuading the notoriously reluctant Wittgenstein estate to allow him to publish a collection of notes by three students of Wittgenstein of the philosopher’s remarks on aesthetics, psychology and religion. Lectures and conversations on aesthetics, psychology and religious belief (1966) offered new perspectives on Wittgenstein’s aesthetic and religious interests, whose extent had barely been realised, and became the basis for an extensive critical literature.

Barrett maintained his involvement with Wittgenstein throughout his career, summing up his views in Wittgenstein on ethics and religious belief (1991). He maintained that the gap between Wittgenstein’s early and late views had been exaggerated; the importance Wittgenstein attached to value remained constant and the Tractatus logico‐philosophus, widely seen as an exercise in positivism, was in inspiration a document of moral inquiry. He did not call himself a Wittgensteinian (he was sceptical of the concept of philosophical discipleship) but was influenced by Wittgenstein in his eclectic preference for addressing disparate problems rather than seeking to build an overarching system, and in his interest in the nature of perception.

The mature Barrett held the Wittgensteinian view that religion could not be stated in propositional terms (i.e. as a set of beliefs) but can only be experienced as a way of life, though Barrett also maintained that this did not entail relativism between such ways; real belief was required. This view would have been seen as heterodox by large numbers of Christians throughout the history of Christianity (including some of Barrett’s contemporaries) but was part of a wider reaction within twentieth‐century catholic theology against what were seen as excessively mechanical and rationalistic forms of neo‐Thomism and of a desire to rediscover the approach of the early church fathers based on the view that reason might illuminate faith from within but could not create it where it did not exist.

Barrett disliked clerical politics and what he saw as the intellectual narrowness and social conservatism of the church hierarchy. He was hostile to the neo‐orthodoxy of Pope John Paul II; his comment in a public venue on the day of the pope’s attempted assassination by Mehmet Ali Agca (13 May 1981), that the greatest fault of ‘that bloody Turk’ had been not shooting straight (Times, 15 Jan. 2004), was occasionally cited by more conservative catholics as symbolic of the perceived deterioration of the Jesuits after the second Vatican council. Barrett’s friends recall, however, that despite his pleasure in flouting what he regarded as petty‐fogging rules and the constraints of his calling, he maintained a deep personal faith in God and was a valued and compassionate confessor and adviser; beneath his questing was an underlying simplicity.

He was a champion of various schools of modern art, particularly Op Art (in 1970 he published one of the first significant books on this form of abstract art, which uses optical illusions to focus the viewer’s attention on the process of perception). He was a regular visitor to eastern Europe where he combined religious activity with encouragement of those artists who were resisting official pressure to conform to Soviet realism; his trips were financed by eastern bloc royalties from his own publications (which could not be transferred into western currencies) and the profits from smuggling out disassembled artworks as ‘agricultural implements’. He also helped to mount several art exhibitions to popularise favoured trends, and established extensive (and hard‐bargained) relationships with London dealers. He played a significant role in building up Warwick University’s art collection, and at various times donated forty works from his own collection (including items by Bridget Riley, Micheal (Michael) Farrell (qv), and Yoko Ono) to the university. Barrett’s fascination with kitsch led him to produce a paper, ‘Are bad works of art “works of art”?’ (Royal Institute of Philosophy Lectures, vi (1973), 182–93), inspired by some of the religious art he encountered at Kenilworth Priory, Warwick. (Barrett’s answer was a qualified Yes.)

He did much to popularise modern art in Ireland through his frequent contributions to the Jesuit quarterly review Studies (he was assistant editor for a year in the early 1950s, and throughout his subsequent career wrote and reviewed for the journal on a wide range of topics) and other journals such as The Furrow and Irish Arts Yearbook. He produced a widely respected catalogue of nineteenth‐century Irish art (Irish art in the 19th century (1971)), and with Jeanne Sheehy (qv) contributed two chapters on the visual arts and Irish society to A new history of Ireland. VI. Ireland under the union, II. 1870–1921 (Oxford 1996) and an account of twentieth‐century art to A new history of Ireland. VII. 1921–84 (Oxford 2004). He also published monographs on the artists Micheal (Michael) Farrell and Carmel Mooney.

Although his flair for teaching and disputation was celebrated on campus, Barrett, like many old‐style academics, lacked administrative aptitude and in his later years at Warwick he was irritated by the increasing bureaucratisation and quantification of higher education. In 1992 he retired from Warwick to Campion Hall, the Jesuit college at Oxford, where he organised an exhibition of its art holdings, used the Latin‐language procedure in applying for a Bodleian reader’s ticket, and was a frequent visitor to the rival Dominican hall, Blackfriars. At Campion Hall he continued to work as a tutor, though he maintained that leisure (expansively defined as ‘life lived to its fullest’) was the proper end of human life and the proper state of mankind; he devoted as much time to it as possible.

He was a world traveller (wont to describe some of the ricketier charter planes he encountered as ‘Holy Ghost Airlines’), a gourmet cook who loved to entertain guests, a convivial drinker, and fond of betting on horseraces; he regularly attended the Merriman summer school in Co. Clare with his friend the broadcaster Seán Mac Réamoinn (1921–2007). He was a voluble critic of the provisional IRA. At the time of his death he was working on an analysis of the morality of war (he was always critical of the view that a just cause justified any means), a philosophical autobiography My struggles with philosophy, and a revision of the Spiritual exercises of St Ignatius Loyola. He also wrote poetry inspired by his reactions to the cancer which was killing him. Cyril Barrett died in Dublin on 30 December 2003.

Ir. Times, 10 Jan. 2004; Times (London), 15 Jan. 2004; Independent (London), 25 Feb. 2004; https://warwick.ac.uk/services/art/teachinglearningandresearch/onlineexhibitions/cyrilbarrett/

◆ Interfuse

Interfuse No 123 : Special Issue February 2005

Obituary

Fr Cyril D Barrett (1925-2003)

May 9th 1925: Born in Dublin
Early education at Kiliashee, Naas, Co.Kildare, Ampleforth College, Yorks. and Clongowes
Sept. 7th 1942: Entered the Society at Emo
Sept. 8th 1944: First Vows at Emo
1944 - 1947: Studied Arts at UCD
1947 - 1950: Tullabeg - Studied Philosophy
1950 - 1953: Clongowes - Prefect and Teacher
1953 - 1957: Milltown Park - Studied Theology
July 31st 1956: Ordained at Milltown Park
1957 - 1958: Tertianship at Rathfarnham
1958 - 1959: Leeson Street - Minister, Asst. Editor Studies
1959 - 1960: Tullabeg - Prof. Psychology; Subminister
Feb. 2nd 1960: Final Vows
1960 - 1961: Tullabeg -Prof. Psychology; Minister
1961 - 1964: London - Postgraduate Studies (History of Philosophy), London University (PhD)
1964 - 1965: Chantilly, France - Lecturer in Philosophy
1965 - 1966: Warwick University - Lecturer in Philosophy
1966 - 2003: Milltown Park
1966 - 1967: Dean of Philosophy; Prof. Philosophy at MI
1967 - 1972: Senior Lecturer in Philosophy - Warwick U.; Reader / Visiting Lecturer - Milltown Institute
1972 - 1992: University of Warwick - Reader in Philosophy
1992 - 2002: Oxford - Tutor in Philosophy
2002 - 2003: Milltown Park - writer
Dec. 30th 2003: Died at Cherryfield Lodge, Dublin.

Fr. Barrett was diagnosed as suffering from cancer in Autumn 2003. Despite a brief remission his health deteriorated steadily. He was admitted to Cherryfield Lodge on Christmas Day. There he died on the morning of Dec. 30th 2003.

Obituary from Times of London, January 15, 2004:

Dinner with Father Cyril Barrett - and you would dine well with this accomplished cook, even if in somewhat chaotic surroundings – was an intellectual feast composed of unpredictable ingredients. A man of huge charm, voracious curiosity and lively humour, he made an open house of his great learning. It was a place that offered inspiration and discovery to those who stepped across its threshold, at the University of Warwick where he taught philosophy for nearly three decades, in Dublin and London, or on his adventurous travels on a Jesuitical shoestring. (Holy Ghost Airlines, he would joke about the dodgier charter flights to dodgy destinations.) As an experimental new university in the mid-Sixties, Warwick attracted, and was attracted by, his interdisciplinary and questing cast of mind. Barrett was as authoritative on Op Art as he was on Wittgenstein's aesthetics.

Inducted almost straight from school into the Society of Jesus but, wisely, given free rein to pursue his strong academic vocation, Cyril Barrett found his reference points as writer, critic and lecturer in philosophy, aesthetics and a lifelong engagement with religious meaning; but he branched outward in multiple directions. He could discourse as intriguingly on hot racing tips, the samizdat blue films circulating in Cold War Central Europe (about which he was alarmingly well informed), kitsch or even knitting, as he talked about medieval aesthetics, Kierkegaard or Picasso. The most unclerical of priests, his faith was deep yet never unquestioning, just as the intellect that made him a renowned philosopher and art critic was tempered by the intensity of his inner spiritual dialogue.

Denis Cyril Barrett was born in 1925 in Dublin, to the sort of horse-and-hounds family that throws up, as it did with his great-uncle Cyril Corbally, such eccentric luminaries as champion croquet players. But this was independence-era Dublin, with its charged politics. His father Denis, the last Assistant Commissioner of the pre-1922 Dublin Metropolitan Police and the first of the Garda Siochana that replaced it, was to resign out of disgust with de Valera's brand of nationalism and the virulence of the IRA – a disgust always shared by his son. His mother died when he was three, and he was brought up by his adored stepmother Evelyn.

His early trajectory was conventional, from Ampleforth to a first in History and Latin at University College, Dublin, and thence to licenciates both in philosophy and in theology before ordination. How little these disciplines were to confine him was demonstrated by his doctorate, on symbolism in the arts, and a subsequent year studying anthropology and the role of myth at University College, London and the Warburg Institute, His large body of books and essays was to be almost equally devoted to modern art --- where his influence was enormous and Europe wide -- and to philosophical studies.

As a philosopher, Barrett became celebrated for publishing, in 1966, a selection of student notes of Wittgenstein's lectures and conversations on aesthetics, psychology and religious belief -- a small corpus out of which has developed a massive secondary literature and which has profoundly influenced aesthetics and theology. All his formidable persuasive skills were put to the test in gaining the consent of the notoriously possessive executors; Wittgenstein declared that "only aesthetic and conceptual questions” really gripped him, but without the Barrett enterprise, few would have known for many years of his grapplings with the former, or indeed with religion.

A quarter of a century later he gave his own considered account of Wittgenstein on ethics and religious belief, arguing that his views on value developed but did not change. Wittgenstein, he maintained, held that seeking to inculcate moral principles, and teaching religion in propositional form, is contrary to the true nature of ethics and religious belief - a position he endorsed. But he resisted the influential misinterpretation according to which Wittgenstein held religious belief to be nothing more than a way of life according to a picture. Belief is involved. The “picture” of Judgment Day is more than a mere picture or exemplar; it is a picture to live by, and there are better and worse such pictures; Wittgenstein “was no more a relativist than any reasonable person can avoid being”.

While never a Wittgensteinian, and indeed hostile to the notion of philosophical discipleship, he certainly learnt from him, and in aesthetics this influence came out in at least two ways. First, in his preference for tackling particular problems and clarifying ideas, over constructing elaborate theories, and secondly in his engagement with the interconnections between aesthetics and psychology, expressed most notably in his pioneering work popularising and explaining Op Art, both in books and by organising exhibitions. As an art critic he was wide-ranging and formidable -- his catalogue of 19th-century Irish Victorian Art is a classic of its kind - but also creative. He was a driving force in establishing Warwick University's art collection, and in cultivating understanding of modern art in Ireland. “Are bad works of art ‘works of art’?”, he asked in an influential essay; his suitably nuanced answer was that they may well be.

Jesuits, avowedly and by direction, are deeply involved in the world's affairs - and the greatest of them are mavericks. To someone of Barrett's catholic interests, impatience of convention and detestation of intellectual narrowness, Catholicism can be a hard master. Like many Jesuits down the centuries, Barrett made no attempt to disguise his chafing at the Vatican's hierarchical politics and social conservatism - going so far as to declare on the day of the attempted assassination of the Pope, in a bellow that filled a London restaurant, that “the only thing wrong with that bloody Turk was that he couldn't shoot straight”. The religious affairs correspondent of The Sunday Times, seated at a nearby table, turned beetroot.

Yet Barrett could readily assume his priestly guise and, in that capacity, was a compassionate and subtle counsellor and eminently practical moralist, ultimately convinced of the intelligence as well as the goodness of the Holy Spirit and able to instil that belief in others.

Academic politics bored Barrett at least as much as the priestly variety, and the world of league tables, research assessments and other bureaucratic rigidities even more. He left Warwick in 1992 for Campion Hall, Oxford, with some relief, striding into the Bodleian and demanding (successfully) to use the Latin language procedure for registering for a reader's ticket,

He continued writing to the very end of his life, back in Dublin, and was working in the last weeks on books and articles ranging from the morality of war to the limits of science, as well as writing poetry and rewriting the Spiritual Exercises of St Ignatius. Barrett would, however, have described this as the pursuit of leisure, which for him was “not a trivial pursuit”, and nothing to do with idleness, but, rather, “life lived to its fullest”.

Work was necessary for survival, he wrote, but “It is not an end in itself. Leisure is. It is the end, the goal, of human life, the proper state of man” -- which is why the quality of leisure matters. There are echoes here of Aristotle, even of St Augustine's idea of entering the holy Sabbath of God. But Cyril Barrett's genius was to draw the classical forward into the present; to cite one of his aphorisms, “philosophy may be perennial, but it is not static”.

◆ The Clongownian, 2004

Obituary

Father Cyril Barrett SJ

Father Cyril Barrett, SJ, who died on December 30th, 2003 aged 78, was a philosopher and art critic of international renown. He had his first direct encounter with philosophy as a student at University College Dublin, through Prof Marcus O'Sullivan's treatment of Rousseau. Philosophy, he would later remark, was a matter of learning to swim by diving in at the deep end but, he cautioned, the deep end of Rousseau's political philosophy was not to be recommended.

He wrote in “Studies” on subjects ranging from Picasso to Kierkegaard. His first book on Wittgenstein, dealing with aesthetics, psychology and religious belief, was published in 1966. Twenty five years later, he published Wittgenstein on Ethics and Religious Beliefs, a mature exposition of the questions that engaged him as a philosopher.

He played a major role in fostering an appreciation of modern art in Ireland. He was a member of the committee of ROSC that provided a showcase for the work of leading international artists. A regular contributor to “Art Monthly”, his publications include a study of op art and monographs on : Michael Farrell and Carmel Mooney. He contributed a section on art in the 20th century to the most recent volume of “A New History of Ireland” (2003).

Denis Cyril Barrett was born on May 9th, 1925, in Dublin, the son of Denis Barrett and his wife Lily (née Kearney). His father was assistant commissioner of the Dublin Metropolitan Police and the family lived in Booterstown. His mother died when he was three and his father later remarried. His early education took place at Killashee, Naas, Co Kildare, Ampleforth College, Yorkshire, and Clongowes Wood College. In 1942 he entered the Society of Jesus and was ordained in 1956, taking his final vows in 1960.

He studied arts at UCD and in 1947 secured a first class honours in Latin and History. Having studied philosophy at Tullabeg, Co Offaly, he taught for three years at Clongowes. He spent the next three years studying theology at Milltown Park, Dublin. Following a year as assistant editor of “Studies”, he taught psychology at Tullabeg. He completed a PhD at London University in 1964 and afterwards caught philosophy at Chantilly, France, and at the University of Warwick, where he remained until 1992. Retirement from Warwick brought him to Campion Hall, Oxford, as a tutor for 10 years. Throughout this time he was a visiting lecturer at Milltown Park.

At the time of his death he was in the process of writing a philosophical memoir with the working title “My Struggles With Philosophy”. In it he addressed the question of understanding other philosophers whose views are alien, not only to one's own thought but also to the precepts of common sense.

A man of many parts, he was a world traveler, a gourmet cook who liked to entertain and he had the knack of picking a winner on the racing page or at an occasional race meeting. He also enjoyed attending the Merriman Summer School with his friend, Seán Mac Réamoinn. But, as his colleague, Father Bill Mathews, said at his funeral Mass, “At the centre of it all, I believe there was in him a very simple faith in God and in the goodness of God”.

Predeceased by his brother Matthew, he is survived by his stepmother Evelyn, brothers John and Father Francis, and sister Eve.

Courtesy of The Irish Times